Right now we’re about 58 minutes into the nine-hour drive home to Oregon, so I have plenty of time to reflect upon the last few days. Let’s see…
Memorable? Yes.
But it wasn’t all bug bites or bouchons (French for cork, stopper, traffic jam) electrical storms or theft (well, an acquaintance of ours at the show did have all her cash stolen by two men with a coughing fit distraction routine). There was also plenty of fun and beauty, conversation and celebrity encounters, networking and art, delicious dinners and boat rides on the lake during our 1,000+ mile journey.
As Kimmmmm says, my life vignettes always have a story-arc and this trip is no exception. Its theme could be titled “Progression.” In June, after Art Fest in Spokane, I wrote about spending time with – and I’m looking for an adjective here that doesn’t sound phony or overused like amazing, but means the same thing. Groom and I were invited to join a friendly, fabulous, fascinating group of artists for a fine meal. As the evening progressed and the vino flowed freely, we were invited to stay with them when we returned in August for Art on the Green.
After making certain their offer of generosity was not just from the glow of the grapes and still looked good in the harsh cold light of day, we accepted their invitation. To set the stage, I must ask you to board my time machine once again and travel back with me three, maybe four years to our first time participating in Spokane’s ArtFest. There, a charming couple wandered into the booth. I said it at the moment and I’m saying it here.
The instant I made their acquaintance the metal flap covering my heart, the one that protects me that I usually control by a hand-crank lever, just flew open. It did it of its own accord; I had nothing to do with it. I’m standing there in the presence of these two people, Mary Gayle and Tim Lord, with a completely naked open heart. Not usually how I operate. My heart tends to look more like a New York City apartment with lots of locks and bolts. But not this time. Boing! Open.
I introduced them to Groom and by the end of our chat it was pronounced that if we lived near each other, we’d be friends. The next year, they stopped by again and they suggested we have dinner. It finally happened last June and a date to stay with them was set.
The first time I walked into their enchanting home, I had a visceral reaction. First, I got all goose-bumpily, then I broke out into hives and then I started crying. Again, not my typical response to some one’s abode. When they asked me what was wrong, I told them Nothing! I felt like I had just fallen down the rabbit hole.
He spent the next 35 days (or 200 hours) in his studio, creating a colorful tea party story. When we arrived at what I’ve dubbed The Lord Manor, he was under the gun for the deadline. The opening was Friday, July 30th and he was down to the last 48 hours until the gallery doors were unlocked.
Traditionally, gallery owners prefer to have the artwork hung before a show. Traditionally, artists are known to be late.
And so it was, we arrived in Spokane at the perfect tension point. Would Tim Lord finish the Wild Tea Party at the Deadwood Cemetery in time for it to be hung or would he be carrying it in with him as the paint dried?
Tim Lord’s transparent sketches were taped to the window for light allowance, photographs of the cemetery were freshly developed and taped to his drawing board from their trip to Deadwood, South Dakota, and I recognized the clock in the center of the painting as a real one designed by Chris Giffin.
Granted free access with our cameras, I noticed through my lens that his palette was still moist with usable paint, that a vast convention of brushes had assembled in one place and paint cans were stacked within easy reach. I smiled at the fun collection of toys, dolls, rabbits and Virgin Mary’s that served as visual inspirations for the characters in his painting.
Meanwhile, at Art on the Green in Coeur d’Alene, management placed our booth location next to sand castle artist, Scott Dodson of Post Falls. While we set up our structure on Thursday, the sandman was already working on his, playing in a 16-ton sandbox. Spending three consecutive days next to him, we were able to watch his entire progression from dump truck loads of sand piled onto his four-story wooden platform to a finished castle by Sunday evening; forty hours of continuous creating.
Chakra Girl continues to impress upon me that “two makes a pattern.” One, we were invited to stay with a painting in progress and two, we were the only booth in the show set up next to a developing work of art, so we were able to witness both unfolding.
Within the peaks and valleys of this trip, the lesson seems to be about enjoying the moment where we are and accepting our place in the process. In a learning curve with our new metal jewelry, I am always in such a rush to complete things that the finish line tends to be the almighty goal. In the past seven days, I’ve been given life-size demonstrations of experts in their fields relishing the entire progression from start to finish.
We also had several other delightful encounters. One was with a woman named MaryEllen Garasky who writes a blog ilovecda.com (I Love Coeur d’Alene), who is writing about us because we were one of her four favorite finds of the show.
Groom and I also visited Stonehenge, what my cousins call their homestead on the lake in Nine Mile Falls. We had a blast catching up, being silly with their 15-year old boy, and taking a boat ride as the sun went down.
(As a brief aside, some of these photos are worth a closer look. Simply click on them for better detailing and then hit the back arrow to return to the blog).
Yes, Snow White, you are right. This weekend is memorable.
Memorable for me as well.
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